Kurt Vonnegut, the novelist known for finding profound truths in ordinary moments, once told a story about going out to buy a single envelope.
His wife suggested he buy a hundred and keep them in a cupboard. It would be more efficient. More sensible , yes, but efficiency wasn’t really what he was after.
The walk to buy one envelope gave him a reason to participate in the day. He would notice people, meet dogs, see babies, hear a fire engine pass by. The envelope was simply the excuse.
I sometimes think yoga can suffer from the hundred envelope problem.
It’s easy to believe the practice lives in the poses. We collect them, improve them, compare them and occasionally place them on a pedestal. Stronger. Deeper. Harder. More advanced.
As though the purpose of yoga is to acquire enough postures and eventually arrive somewhere.
After years of practice and teaching, I’m not convinced the poses are the point.
The pose is often just the invitation.
What happens around the pose is the gem. The unexpected thought that surfaces in stillness. The moment you realise you’ve been holding your breath all day. The small shift in how you respond to discomfort. The growing ability to notice yourself without immediately trying to fix yourself.
These are difficult things to measure, which is perhaps why they are so often overlooked.
We live in a culture that likes visible achievements. A new skill. A deeper stretch. A more impressive shape.
Yet some of the most meaningful aspects of practice leave no obvious trace.
You can’t photograph a little more patience.
You can’t post a picture of feeling slightly less hurried.
You can’t easily capture the experience of becoming more at home in your own skin.
Yet those changes often matter far more than whether your hands ever touch your toes and its why correcting postures underlines the falsegothat you need to correct something about yourself.
The envelope was never the important part and perhaps the pose isn’t either.
Perhaps the real practice is everything we discover while we’re on the way.